School of Visual Studies Alumna Lisa Franko chosen by City of Coumbia to create 2026 Commemorative Poster
Established in 1992 by the Office of Cultural Affairs, the City of Columbia’s annual commemorative poster program was created to celebrate mid-Missouri's vibrant culture, natural beauty, and artistic community. Each year, the tradition relies on a competitive open call for local artists, culminating in a highly anticipated unveiling at the annual Celebration of the Arts fundraiser. The event honors the winning artist while generating crucial funding for local arts organizations through the Columbia Arts Fund. This year, local artist, educator, University of Missouri School of Visual Studies alumna Lisa Franko joins this storied tradition with her piece, "Missouri Star Quilt," which marks a historic milestone for the program by tying into the national America 250 semi quincentennial.
The School of Visual Studies had the chance to ask her a few questions about this opportunity and her career path.
Q: What was your inspiration/Process for designing the “Missouri Star Quilt” Poster for the City of Columbia?
A: In my work, I’ve recently been inspired by color theory/color relationships within quilt patterns. I have always been an admirer of artists like Anni Albers and Agnes Martin, who take simple shapes and colors and elevate them to nothing short of magic.
When I saw the call for the 2026 City of Columbia Commemorative poster, I knew I wanted to try to create something that utilized a repeating quilt pattern. I did some research and found a pattern named the “Missouri Star.” It seemed like a perfect motif to represent Columbia as well as Missouri—as our country also celebrated its 250th anniversary. The quilt pattern to me represents our history as a state as well as a nation. When the quilt pattern is altered with various color temperatures/values, a new image emerges. This reimagining is a symbol of growth and change. To me this piece both honors our past while reminding us to be open to shifting perspectives. Additionally, I often use star and leaf motifs in my work, and I felt like it gave a nod to one of the things I love about living in Columbia, MO–the opportunities to experience the beauty of nature.
Q: Was this Award/honor to create the commemorative poster a goal of yours? If not, how were you/your work recognized?
A: Since moving to Columbia, I have always looked forward to what artist and work is featured on the Commemorative poster each year. I consider it a high honor to be selected and have always hoped to join the impressive list of artists who came before me.
Q: What advice would you give students who might want to do similar things with their work? (local competitions, annual events, etc.)
A: Go for it! Making art can be a very solitary act, and it can be hard to put yourself and your work out there. But when you do, it can be so rewarding to know that others appreciate your work and want to live with it in their homes or offices.
As someone who has worked with artists in different capacities, I would also stress knowing your audience. Find opportunities that align with you and your work, and pay attention to what opportunities are looking for regarding submissions. Read directions and submit information as requested—it can go a long way!
Q: How did your time at Mizzou shape your current artistic and teaching practice?
A: I had a very valuable 3 years in Mizzou’s Master of Fine Arts program. I learned a ton about myself and my work and was challenged to think about art in a way I previously did not. I also made wonderful connections with peers and faculty members, which have helped carry me through the past 10 years since graduation. The MFA program helped me feel like a part of the artist community in Columbia and helped me sustain my artistic practice while juggling a full- time job and other commitments.
Q: How does being an educator affect your artistic practice, and did it impact the creation of this piece specifically?
A: I feel very inspired by my students and the work we do together in the classroom every day. The quilt motifs have partly arisen from my own teaching of the foundational elements of art. When you really break it down, I am focused on pattern and color and how it can be used in new and unexpected ways. Sometimes I think we believe as seasoned artists we have moved beyond the foundations, but they’re always part of a successful work of art no matter what.
For community members looking to collect a piece of local history, Franko's design is available for $20 at the Convention and Visitors Bureau on Providence Road, where extensive archives of past years' selections are also permanently preserved and available for $10.